Hardcover, 477 pages
Spanish language
Published Aug. 18, 2003 by Círculo de Lectores.
While in Paris on business, Harvard symbologist Robert Langdon receives an urgent late-night phone call: the elderly curator of the Louvre has been murdered inside the museum. Near the body, police have found a baffling cipher. Solving the enigmatic riddle, Langdon is stunned to discover it leads to a trail of clues hidden in the works of da Vinci…clues visible for all to see…and yet ingeniously disguised by the painter.
Langdon joins forces with a gifted French cryptologist, Sophie Neveu, and learns the late curator was involved in the Priory of Sion—an actual secret society whose members included Sir Isaac Newton, Botticelli, Victor Hugo, and da Vinci, among others. The Louvre curator has sacrificed his life to protect the Priory’s most sacred trust: the location of a vastly important religious relic, hidden for centuries.
In a breathless race through Paris, London, and beyond, Langdon and Neveu match wits with a …
While in Paris on business, Harvard symbologist Robert Langdon receives an urgent late-night phone call: the elderly curator of the Louvre has been murdered inside the museum. Near the body, police have found a baffling cipher. Solving the enigmatic riddle, Langdon is stunned to discover it leads to a trail of clues hidden in the works of da Vinci…clues visible for all to see…and yet ingeniously disguised by the painter.
Langdon joins forces with a gifted French cryptologist, Sophie Neveu, and learns the late curator was involved in the Priory of Sion—an actual secret society whose members included Sir Isaac Newton, Botticelli, Victor Hugo, and da Vinci, among others. The Louvre curator has sacrificed his life to protect the Priory’s most sacred trust: the location of a vastly important religious relic, hidden for centuries.
In a breathless race through Paris, London, and beyond, Langdon and Neveu match wits with a faceless powerbroker who appears to work for Opus Dei—a clandestine, Vatican-sanctioned Catholic sect believed to have long plotted to seize the Priory’s secret. Unless Langdon and Neveu can decipher the labyrinthine puzzle in time, the Priory’s secret—and a stunning historical truth—will be lost forever.
In an exhilarating blend of relentless adventure, scholarly intrigue, and cutting wit, symbologist Robert Langdon (first introduced in Dan Brown’s bestselling Angels & Demons) is the most original character to appear in years. The Da Vinci Code heralds the arrival of a new breed of lightning-paced, intelligent thriller…surprising at every twist, absorbing at every turn, and in the end, utterly unpredictable…right up to its astonishing conclusion. ([source][1])
regardless of its pseudo-intellectualism, it kept me on the edge well enough for it to count as a 4 star book
Great fun
Whether you have any belief in the central precepts of the story or not, it's a cracking good read. And it's an easy read too. Thoroughly enjoyable.
Finally circled back to this one. Fun, great vacation read.
Posted Rating: 4 out of 5 stars
Actual Rating: 3.5 out of 5 stars
Reviewer Note: This review was written after my second read through of the novel!
While this isn’t the first time I have read Dan Brown’s The Da Vinci Code, though the last time I read it was many years ago, the story felt familiar to me. I still had moments where I felt as if I was reading this book for the first time – it had just been that between readings.
I love the premise of Brown’s The Da Vinci Code, exploring the life of Jesus the man rather than Jesus the son of God. I have stated before that I am not an overly religious person nor do I participate in organized religion, though I was raised in The Church of Jesus Christ of Latter-Day Saints (i.e. Mormon). However, due to personal reasons I …
Posted Rating: 4 out of 5 stars
Actual Rating: 3.5 out of 5 stars
Reviewer Note: This review was written after my second read through of the novel!
While this isn’t the first time I have read Dan Brown’s The Da Vinci Code, though the last time I read it was many years ago, the story felt familiar to me. I still had moments where I felt as if I was reading this book for the first time – it had just been that between readings.
I love the premise of Brown’s The Da Vinci Code, exploring the life of Jesus the man rather than Jesus the son of God. I have stated before that I am not an overly religious person nor do I participate in organized religion, though I was raised in The Church of Jesus Christ of Latter-Day Saints (i.e. Mormon). However, due to personal reasons I left the church around the time I was 19 and I haven’t returned to organized religion since. I know the novel is fiction, I know that not every single word written is true and only some (possibly very little) is actually based upon historically accurate fact – yet, even in light of knowing that, I am still intrigued by the life Jesus Christ lead. I fully support the idea of Christ embracing the roles of husband and father, roles which not only support but also compliment the feminine roles of wife and mother. The Mormon faith is notorious for teaching its young women that being a wife and mother is a great calling, but what about that same idea being applied to young men in the form of being a husband and father? I don’t want to bore you with these little intricate details of my religious upbringing, but I have found that this different treatment of men and women within religion is a very socially damaging stigma.
I have a certain appreciation for this novel because it really focuses on pointing out the lack of positive femininity found in society. I find it deeply disturbing how much hatred there is against the idea of feminism, a movement which has been constantly evolving in order to bring about equality for all – not just men and women but all people regardless of how they identify themselves. As a woman and mother to my amazing daughter, it frightens me that there is so much negative stigma against women and being a woman – women as sexual objects, somehow being considered lesser, phrases such as “the weaker sex.” I find a sense of beauty in the tenets of the pagan faiths because women are seen positively, not only are they beautiful but they are also powerful and strong. This novel helps to bring notice to a very real problem with the majority of today’s organized religion – that there isn’t a strong, positive feminine role model outside of the role of wife and mother.
I honestly don’t like Robert Langdon as a character in the novels – I find him to be annoying, frustrating, and kind of boring. I find myself frustrated with Langdon at times because he tends to over romanticize his interactions, in this case, with Sophie. It could be an incredibly small interaction between them, but Langdon becomes seemingly focused on it in his inner monologue. I am sorry, but if the events of this novel were really going on around you I doubt that you would be taking time to notice and ponder each seeming interaction between you and another individual – your mind would just not be able to focus on such things because you would be in a constant state of fight-or-flight and dealing with historical riddles. I am going to be so bold as to wonder aloud (well, in written word within this post) whether or not it is true that Langdon seems to always have or know the answer. I understand that Langdon is an incredibly intelligent man and that he is renowned in his field, but I am willing to go so far as to suggest that he always seems to have or know the answer to whatever obstacle he encounters. While I understand that he is the protagonist and main character of the novel, it is just frustrating that he has these other supporting individuals who are meant to help him but for the majority of the novel it feels like he doesn’t even need them. This is just an infuriating practice I have found in reading novels – coming across a character who seems to have all of the answers already.
Out of courtesy of any users who come across my review prior to reading the novel, I will hide this portion of my review due to spoilers. Please, consider yourself warned.
In my review for Brown’s Angels and Demons, I discussed my thoughts on the character of Camerlengo Carlo Ventresca and how I found him to be an interesting character because of how he was built up to be such a pillar of help and friendship only to in truth be the perpetrator responsible for everything. Again, we come across this same trope in the form of the betrayal of Sir Leigh Teabing – he was a well meaning, likable character until he ultimately revealed himself to be The Teacher. I can appreciate a good plot twist, especially when it involves excellent character set up, but I found myself slightly frustrated because this was the same exact trope from Angels and Demons. I don’t want to feel as if I am experiencing the same plot twist in each book – Langdon needs the help of an expert or individual in some field who appears to be quite well meaning but in the end turns out to be the bad guy all along! The first time you utilize a trope such as that, you’ll get me and I will find favor with it – but using it multiple times one book after another, it just becomes boring.
Here is my non-spoiler filled version of the above paragraph: I dislike when authors utilize, almost verbatim, previous plot tools – I honestly find it to be lazy and a disservice to your readers who are reading your work to be told a story, a new and compelling story. I am not saying that a plot tool can only be utilized once per series for an author – but don’t disrespect your readers by giving almost the exact same story with a different premise. I am hoping that Brown learned from this and that The Lost Symbol will be an exciting read, onward to new reading material for me in The Robert Langdon Series!
Originally posted on my WordPress.
I finished, 9 years after it went out and probably 8 years after everyone else, the Da Vinci Code by Dan Brown. Had bought it a few years earlier in a second-hand bookshop, and finally opened it. I was expecting something pretty awful, and I actually enjoyed it a lot. In my opinion, it's a very decent thriller. I definitely get the "irks" it got when it was published, but it kind of amused me. I was a bit annoyed by the very obvious tricks (letting characters talk about something and not letting the reader in the confidence before two or three chapters later, having obvious stuff the reader is bound to figure out before the characters - and hence feel good about themselves, stuff like that), but I thought it was entertaining and I did want to know what would happen next. The end felt a bit hasty, but …
I finished, 9 years after it went out and probably 8 years after everyone else, the Da Vinci Code by Dan Brown. Had bought it a few years earlier in a second-hand bookshop, and finally opened it. I was expecting something pretty awful, and I actually enjoyed it a lot. In my opinion, it's a very decent thriller. I definitely get the "irks" it got when it was published, but it kind of amused me. I was a bit annoyed by the very obvious tricks (letting characters talk about something and not letting the reader in the confidence before two or three chapters later, having obvious stuff the reader is bound to figure out before the characters - and hence feel good about themselves, stuff like that), but I thought it was entertaining and I did want to know what would happen next. The end felt a bit hasty, but not to the point it's annoying. All in all, glad I read it, might re-read it in a few years ;-)
I read it before the movie and liked it enough to read rest of Dan Brown's work. As long as you will not think too much about real history when reading this book it really is enjoyable.
I'm sorry. I rather enjoyed this. Sorry and all that, I know it's not fashionable. But it was rather good. Sorry again.
Okay, let me state my biases up front: I'm not offended by the theology; in fact, I picked up this book because of it. (I'm a Unitarian, and have no problem with the idea that some of the decisions of the Counsel of Nicea were politically motivated.) In fact, I find his earth-shattering heresy about as offensive as "Jesus Christ, Superstar" (in my case, not at all).
No, the reason this book is ranked so low is Dan Brown's prose style. There's an extraordinary amount of:
Point of view character stared in amazement at what appeared before his eyes. He couldn't believe it! The message that was scrawled in a highly unlikely place shocked him to his very foundations. The riddle was clever, of course, but he understood it immediately--which was precisely why he was shocked. His mind reeled. How could such a thing be possible?
[Chapter break.:]
AAAAAAAAAAAAAAAAAAAAAARGHHHHHHHHHHH!!!!! Between …
Okay, let me state my biases up front: I'm not offended by the theology; in fact, I picked up this book because of it. (I'm a Unitarian, and have no problem with the idea that some of the decisions of the Counsel of Nicea were politically motivated.) In fact, I find his earth-shattering heresy about as offensive as "Jesus Christ, Superstar" (in my case, not at all).
No, the reason this book is ranked so low is Dan Brown's prose style. There's an extraordinary amount of:
Point of view character stared in amazement at what appeared before his eyes. He couldn't believe it! The message that was scrawled in a highly unlikely place shocked him to his very foundations. The riddle was clever, of course, but he understood it immediately--which was precisely why he was shocked. His mind reeled. How could such a thing be possible?
[Chapter break.:]
Not worth it.
I picked the Spanish edition because we had bought a copy at the library I used to work for at the time. It was amongst the worst things I could have inflicted on myself, and I honestly fail to see the appeal factor of this piece of tripe. And trust me, I can be pretty charitable in terms of what others read, but this books verbosity and morose pacing was simply horrible. Not very memorable. But oh well.
t actually got boring about halfway through, watching the protagonists once again escape the bad guys by a hair, and find yet another puzzle to be solved.
