Hardcover, 384 pages
Published 2010 by Everyman's Library.
It tells the story of Dracula's attempt to move from Transylvania to England so he may find new blood and spread undead curse, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing.
Sea cual sea la lectura (estructuralista, metaliteraria, histórica, social, psicológica, religiosa, etc), el texto da material abundante. Incluso hay fragmentos que funcionan de manera unitaria.
I kind of had a love/like/WTF relationship with this book. It's so darn clever and yet ridiculous at the same time. The characters are exaggerations and silly. And the dialogue, Gah!
On top of that, the "rules" for this whole vampirism thing make no sense at all, and there are no explanations for how they figured out those rules. The good doctor just knows from some dude who told him and assumed it all to be true, no matter how far fetched.
But still, Dracula is an enjoyable romp that explores some interesting themes that I'm unsure the author knew were even there.
This Everyman Library edition (they are always the best editions) includes an introduction by Joan Acocella who concludes with "Dracula is like the work of other nineteenth-century writers. You can complain that their novels are loose, baggy monsters, that their poems are crazy and unfinished. Still, you …
I kind of had a love/like/WTF relationship with this book. It's so darn clever and yet ridiculous at the same time. The characters are exaggerations and silly. And the dialogue, Gah!
On top of that, the "rules" for this whole vampirism thing make no sense at all, and there are no explanations for how they figured out those rules. The good doctor just knows from some dude who told him and assumed it all to be true, no matter how far fetched.
But still, Dracula is an enjoyable romp that explores some interesting themes that I'm unsure the author knew were even there.
This Everyman Library edition (they are always the best editions) includes an introduction by Joan Acocella who concludes with "Dracula is like the work of other nineteenth-century writers. You can complain that their novels are loose, baggy monsters, that their poems are crazy and unfinished. Still, you gasp at what they're saying: the truth." I think I can agree with that.
no era lo que me esperaba? lo he disfrutado mucho, me ha gustado mucho la historia y el cómo está contada. llevo tanto tiempo leyéndolo que lo voy a echar de menos! me ha acompañado un curso entero, como quien no quiere la cosa...
... But it was far too dry for me. It also took me ages to read it, and I kinda glossed over the end because I wanted to be done with it. I'm going to give it another shot when Dracula Daily comes by again.
Kaum ein Werk der Horrorliteratur war je so einflussreich, oder eben so innovativ, wie dieses. Obwohl Stoker sich seine Themen und seine erzählerischen Ideen zusammengestohlen hat, ist es ihm beim Zusammenfügen gelungen, einen makellosen Archetyp zu entwickeln: Vom Aufbau, der von Unbeschwertheit über Sorge, Vorahnung, Furcht und schließlich Schrecken bis zum vernichtenden Ende unaufhaltsam und folgerichtig bleibt, über die Charakterisierungen (die Unschuld, die Integrität, der Wahnsinn, die Dekadenz), bis hin zu den Beschreibungen nimmt er allen zukünftigen Horrorerzählern den Wind aus den Segeln. Zudem gelingt es ihm, eine echte Bindung zu seinen Figuren herzustellen, so dass die Grausamkeiten, die ihnen zugefügt werden, dem Leser ehrlich zu schaffen machen.
Dabei hat der Roman offensichtlich viele Schwächen, und hier liegt die Chance, die so viele spätere Autoren nicht zu nutzen gewusst haben: Zum einen ist er sicherlich zu lang, zum anderen selbst für die Zeit zu süßlich und hölzern. Für einen reinen …
Kaum ein Werk der Horrorliteratur war je so einflussreich, oder eben so innovativ, wie dieses. Obwohl Stoker sich seine Themen und seine erzählerischen Ideen zusammengestohlen hat, ist es ihm beim Zusammenfügen gelungen, einen makellosen Archetyp zu entwickeln: Vom Aufbau, der von Unbeschwertheit über Sorge, Vorahnung, Furcht und schließlich Schrecken bis zum vernichtenden Ende unaufhaltsam und folgerichtig bleibt, über die Charakterisierungen (die Unschuld, die Integrität, der Wahnsinn, die Dekadenz), bis hin zu den Beschreibungen nimmt er allen zukünftigen Horrorerzählern den Wind aus den Segeln. Zudem gelingt es ihm, eine echte Bindung zu seinen Figuren herzustellen, so dass die Grausamkeiten, die ihnen zugefügt werden, dem Leser ehrlich zu schaffen machen.
Dabei hat der Roman offensichtlich viele Schwächen, und hier liegt die Chance, die so viele spätere Autoren nicht zu nutzen gewusst haben: Zum einen ist er sicherlich zu lang, zum anderen selbst für die Zeit zu süßlich und hölzern. Für einen reinen Schocker, als der er ursprünglich ja ausgelegt war, erreicht er aber sehr viel und das sehr effektiv.
Somehow I got this far in life without ever reading Dracula. My daughter-in-law-to-be finally convinced me to pick it up—it is one of her favorites—and I blasted through most of it on a long car drive. It is unsurprisingly great, far creepier, more graphic, and more sexual than I expected given the 19th century publication date. I was also delighted to see how many of our modern Vampire tropes—I’m an unrepentant Buffy fan—are on full display here, from garlic and crosses to the whole “you can’t enter without an invitation” thing. The Vampires even turn to dust when staked (although with an explanation that doesn’t quite work in the Buffyverse). I saw echoes in Harry Potter here too, with the whole psychic-connection subplot. All this to say Dracula is so influential we live in a world more or less shaped by it. It was fun to go to the …
На удивление, даже сейчас довольно годно. Хотя Ван Хелсинг местами явно переигрывает 😅
Самого Дракулы в сюжете, прямо скажем, довольно мало.
Erderaz irakurri nuen liburu hau eta orain euskaraz. Lehen atala gustatu zait gehiago bigarrena baino. Nahaztuta nengoen hainbeste izen ezberdinekin. Agian pertsonai gehiego zegoen. Uste dut ez dela zaila B1 mailarako.
The gold standard of vampire and horror books. What can I say? It’s a great adventure that focuses more on the friendship of the hunters than on Dracula himself.
Urrrrrgh. I read this via Dracula Daily, which reorganised the text into daily emails of the journal entries as they occurred in real time (May to Nov), so perhaps my view of the story is coloured by that. But my gosh this was a dull read.
It did show promise at the start, and I was intrigued and somewhat excited to be finally reading one of the most famous vampire stories of note, but as time moved forward, it got less and less interesting and more and more of a chore to get through.
Dear friends, this book, this book right here, is a great example of why some people don't like reading classics. Perhaps in its day (1897) it was considered well written and fraught with terror, but reading it today in 2022, it a slog and honestly, not worth your time.
Really long journal entries (which were doubly …
Urrrrrgh. I read this via Dracula Daily, which reorganised the text into daily emails of the journal entries as they occurred in real time (May to Nov), so perhaps my view of the story is coloured by that. But my gosh this was a dull read.
It did show promise at the start, and I was intrigued and somewhat excited to be finally reading one of the most famous vampire stories of note, but as time moved forward, it got less and less interesting and more and more of a chore to get through.
Dear friends, this book, this book right here, is a great example of why some people don't like reading classics. Perhaps in its day (1897) it was considered well written and fraught with terror, but reading it today in 2022, it a slog and honestly, not worth your time.
Really long journal entries (which were doubly long in the format Dracula Daily was using) where nothing of note happened, men (of the time of course) being overbearing about their women folk, the women being the perfect example of why some men think women are emotional creatures who need to be sheltered. Dracula himself, barely makes an appearance in the entire novel. It is centred wholly around Mina and the men who apparently loved her so much that they "did dare much for her sake." Ugh.
I was very tempted to DNF this when it got mid way through the October chapters. But I persisted, even when my eyes started glazing over from boredom, because this is a beloved classic. It had to get better right? almost half a million people rated this 5 stars, so there must be something that redeems it, right? Right???
But, no. There was nothing. I'm giving it 1 star because of the all the vampire works it somehow inspired, and an additional 1 star out of 5 for the story itself because all this book did was convince me that Bram Stoker is an energy vampire because reading this book sucked the life right out me.
Just a list of thoughts I had as I thought them:
Just a list of thoughts I had as I thought them:
Highly recommended; 4 out of 5 vampire bats for general audiences.
Content warning Very minor and inconsequential spoilers
Finished Dracula, my first time since reading it in like 6th grade on Project Gutenberg so I really didn't remember anything. Honestly wasn't expecting much in terms of horror and suspense by today's standards, but a few sections (the opening castle introduction, the arrival of the ghost ship in Britain) were genuinely effective horror IMO. Good consistent pacing for most of it, held my attention at least—too many older novels have long dry spells that are a struggle to get through.
There were a lot of instances where I thought Mina would be a “strong and independent woman” and take charge of the hunt or something, but it being written in 1898 I suppose that never would've happened. As it is I'm surprised that the book even portrays her the way it does.
I also found it very frustrating that they refused to leave the asylum after Dracula got invited in, if they had just gone somewhere else without random lunatics then he wouldn't be able to get in at them! Why stay there! Aaah!
Good lord! Abraham Van Helsing is a bore! If I hear anymore of his chatter of child brain vs man brain, I'm gonna invite Dracula to my house for dinner, preferably with Van Helsing as the meal.
The original novel is a great read. Not just for the way it codified modern vampire lore. But for the way it's built entirely out of diary entries, letters, news fragments, telegrams and so on. For the way it shows modern science coming to grips with ancient superstition and figuring out how to deal with it. For showing an early example of a woman participating in her own rescue. And for some of the parts that didn't make it into general pop culture. (Count Dracula spends an awful lot of time in a shipping box.)
In some senses it's the written-word equivalent of the "found footage" horror genre. Except the "sources" are wildly varying. John and Mina write their journals and letters to each other in shorthand. Business letters are of course written formally. Dr. Seward keeps an audio diary on a phonograph. Van Helsing's speech is rendered with every …
The original novel is a great read. Not just for the way it codified modern vampire lore. But for the way it's built entirely out of diary entries, letters, news fragments, telegrams and so on. For the way it shows modern science coming to grips with ancient superstition and figuring out how to deal with it. For showing an early example of a woman participating in her own rescue. And for some of the parts that didn't make it into general pop culture. (Count Dracula spends an awful lot of time in a shipping box.)
In some senses it's the written-word equivalent of the "found footage" horror genre. Except the "sources" are wildly varying. John and Mina write their journals and letters to each other in shorthand. Business letters are of course written formally. Dr. Seward keeps an audio diary on a phonograph. Van Helsing's speech is rendered with every quirk of his Dutch accent and speech patterns. And then halfway through the book, when all the major characters finally come together...they collate all the documents and Mina transcribes them on a typewriter, and they pass around the first half of the book so they can all read up on what the rest of them have been doing! (Literally getting them all on the same page.)
That's not to say it's flawless. It's unclear why some victims rise again as vampires while others don't. While the science/superstition contrast works well for the most part, eastern Europeans don't exactly come off very well. Especially when they'd talk about the "gypsies" carrying Dracula around Transylvania. I mean, it could have been a lot worse, but it's still jarring.
Overall, though, it's an engaging read, whether approached as a book or, as Dracula Daily did, one day's letters at a time from May 3 through November 7.
Dracula Daily: draculadaily.substack.com/archive
This review on my website: hyperborea.org/reviews/books/dracula/
I never would've thought that Dracula would feature so many modern themes and inventions. In that aspect it was very different from what I expected.
Unfortunately the story wasn't as exciting as I had anticipated. Especially the middle part seemed to drag on forever.
But I'm very happy to have finally read this classic.
