BenLockwood reviewed A Wizard of Earthsea by Ursula K. Le Guin (Earthsea Cycle, #1)
A timeless classic
5 stars
A must-read in the collection of fantasy classics
A boy grows to manhood while attempting to subdue the evil he unleashed on the world as an apprentice to the Master Wizard.
A must-read in the collection of fantasy classics
Enjoyed rereading this brought me back to seventh grade. I remember the whole concept of the shadow and it’s something that has always stayed with me.
Now that I’m older I think some parts are over explained and others aren’t setup. For example what is Ged going to do after wizard school. It’s never talked about or hinted and the choice is random and unimportant seemingly in the overall narrative.
Prose is slim and considered, the imagery vivid without being exhausting, but I did not feel engaged with Ged, personally, philosophically, etc.
I appreciate how concise and capable a novel this is; that it is in its way rubbing against the grain of what, in 1969 especially, are the expectations of a fantasy novel and setting.
But I read it today, in a different cultural milieu. While Left Hand of Darkness and The Dispossessed still felt compelling and relevant, Wizard of Earthsea is something I can only imagine once having a greater potency.
we all have parts of ourselves that we run from, that we hate. this book is helping me with the torturous work of reconciling with my own shadows. if you're struggling to see yourself as a whole and complete human being, you aren't alone. i struggle. ged does too. but we can begin healing, one step at a time.
be safe out there.
Es genial el concepto de magia asociada al verdadero nombre y cómo lo desarrolla
Felt less like reading a book and more like being told a fantasy epic from a world slightly adjacent to ours over a campfire. I only wish I'd read it earlier.
What a charming story. This very much reads as classic fantasy, but at the same time, quite distinct from other classic fantasy powerhouses of the era. It is structured more like a folktale, and really succeeds in that regard. The story is comprised of quite a few smaller stories and challenges, similar to something like the Odyssey. Each of these smaller narratives paint a larger story that simultaneously builds the world around it. This was probably my favorite aspect. Seeing the main character grow and develop as aspects of the world become clearer to the reader, but also feeling like you're reading a classic hero's tale.
However I found the writing style to be very... of its time. It is very disconnected from the characters and frequently and randomly shifts between an omniscient narration to limited omniscient narration based on a character's perspective. The prose was stuffy, making it feel …
What a charming story. This very much reads as classic fantasy, but at the same time, quite distinct from other classic fantasy powerhouses of the era. It is structured more like a folktale, and really succeeds in that regard. The story is comprised of quite a few smaller stories and challenges, similar to something like the Odyssey. Each of these smaller narratives paint a larger story that simultaneously builds the world around it. This was probably my favorite aspect. Seeing the main character grow and develop as aspects of the world become clearer to the reader, but also feeling like you're reading a classic hero's tale.
However I found the writing style to be very... of its time. It is very disconnected from the characters and frequently and randomly shifts between an omniscient narration to limited omniscient narration based on a character's perspective. The prose was stuffy, making it feel more like you were reading an objective account of the events that happened rather than feeling like you're hearing about the journey from a storyteller, which I feel would lend itself better to the style of story.
All in all, I did enjoy this quite a bit. I'm excited to pick up the next few of them pretty quickly considering they're so short. I'm particularly excited to dive into the more recent three books. I'm eager to see how her writing style matured after 30 years of being one of the most skilled science fiction authors of all time.
I have no idea how this book eluded me as a kid. Reading it feels like righting an old wrong though. It's a wonderful introduction to the world of Earthsea, and I imagine my child self would have been hooked.
Coming in as an adult who has loved many other Ursula Le Guin books, this also felt like part of an ongoing conversation. Her reflections in the afterword are thoughtful as always, particularly her mingled pride (in stealthily deploying non-white primary characters) and regret (for writing a man's world where women are secondary).
Social/meta-concerns aside, this is a beautiful world full of wonder and I want to spend more time there!
All power is one in source and end, I think. Years and distances, stars and candles, water and wind and wizardry, the craft in a man's hand and the wisdom in a tree's root: they all arise together. My …
I have no idea how this book eluded me as a kid. Reading it feels like righting an old wrong though. It's a wonderful introduction to the world of Earthsea, and I imagine my child self would have been hooked.
Coming in as an adult who has loved many other Ursula Le Guin books, this also felt like part of an ongoing conversation. Her reflections in the afterword are thoughtful as always, particularly her mingled pride (in stealthily deploying non-white primary characters) and regret (for writing a man's world where women are secondary).
Social/meta-concerns aside, this is a beautiful world full of wonder and I want to spend more time there!
All power is one in source and end, I think. Years and distances, stars and candles, water and wind and wizardry, the craft in a man's hand and the wisdom in a tree's root: they all arise together. My name, and yours, and the true name of the sun, or a spring of water, or an unborn child, all are syllables of the great word that is spoken by the shining of the stars. There is no other power. No other name.
Fun and short. I could see quite enjoying this when I was younger as well.
That afterword took a good book to a truly great one.
A bit cliché, but it seems like maybe it established some of its cliches rather than just following them, so that can be forgiven.
Definitely aimed at a teenage-reader crowd, but still an enjoyable read; Le Guin's style of writing lends more of a mythical feel to the story.
Fine fantasy quest, childish feelings tempered to balance and self-confrontation, and well done for that. I'm feeling LeGuin's own regrets about how male-dominated her first books are, however.
Fabularnie to zwykła pospolita podróż bohatera, ale styl trudny do określenia. Dostrzegalne ulotne feministyczno—ekologiczne wpływy (niczym u „Nausicaä z Doliny Wiatru”), choć kobiet jak na lekarstwo, bohater jest trochę jak z „Mrocznej Wieży” Kinga. Na to wszystko magiczna warstwa, kontynentalna wersja „Harry'ego Pottera”. Intrygująca, pięknie napisana historia, która wiele zyskała dzięki zacnemu przekładowi Barańczaka.
While I do wish I had encountered this book while growing up, even now I can‘t help but give it 5 stars. As Le Guin herself states in the afterword, this book was at once familiar in its usage of old fantasy tropes yet at the same went so far beyond that.
The story is still epic in scale, yet the cast is much smaller than would be expected. No wars stand at the center of the plot, but instead the main character‘s growth and self discovery. Le Guin makes her observations about the different characters with clear-eyedness and poetry. She writes like an anthropologist in that she withholds prejudice for different cultures, skin colors etc., seeing merit in all of them. She in fact manages to turn a surface level story of the battle between light and darkness into a rich study of grays.
The same skilled observations are …
While I do wish I had encountered this book while growing up, even now I can‘t help but give it 5 stars. As Le Guin herself states in the afterword, this book was at once familiar in its usage of old fantasy tropes yet at the same went so far beyond that.
The story is still epic in scale, yet the cast is much smaller than would be expected. No wars stand at the center of the plot, but instead the main character‘s growth and self discovery. Le Guin makes her observations about the different characters with clear-eyedness and poetry. She writes like an anthropologist in that she withholds prejudice for different cultures, skin colors etc., seeing merit in all of them. She in fact manages to turn a surface level story of the battle between light and darkness into a rich study of grays.
The same skilled observations are made for the world and magic system. Descriptions are beautiful, yet not overly flowery. Instead there is a certain understatedness that gives the imagination more than enough to make the world feel alive, while never detracting from the actual action going on. Rather, certain omissions and unexplained terms indicate that the world has more secrets hidden everywhere, just waiting to be discovered by the reader.
The Wizard is understated while still feeling grand. It is beautifully crafted by a true master of the genre and will invite the reader to revisit Earthsea time and time again, be it through the other Earthsea books or inevitable rereads.
This is rightfully considered a classic I would recommend to anyone not fully scared away by a bit of magic.
Refreshing to realize high fantasy doesn't have to be laid out in tomes and be riddled with vuolence. This book is short, entertaining and thoughtful. And Le Guin writes well.